The summer cycle for THE HEAD IN CLAY is open!
Welcome! I am excited to share my first online course with you. This class gathers all the tidbits of accumulated insight and information regarding the head that I put to use daily in my own studio practice. The course takes you step by step to help you navigate the structure and surface of the head through detailed demos, patterns and diagrams that simplify the complicated dynamics of the human form. It is designed to meet you at any level. I am certain that this versatile slab-building approach will empower you to build fabulous, hollow ceramic heads at different scales. Let's jump in!
Because of the slow, gradual unfolding of a clay sculpture it is often hard to relay the full arc of a piece from beginning to end in the traditional workshop context. This course will offer an intimate vantage point to study and understand all of the steps, tools and materials that come into play to create a clay head. With the methods showcased in this course and the open floor chat sessions between demonstrations to answer questions you will be fully empowered to create clay heads of different scales in your own studio. This course includes supplemental printed material that follows the course structure and several opt-ins to customize your experience.
HOW IT WORKS:
You have two ways to engage with the program:
If you enroll as an Audit student you will receive immediate access to all the material to work through on your own as well as access to The Head In Clay: Audit FaceBook group. For this SUMMER CYCLE, we are offering 2 rounds of digital feedback (non-live) with the Audit option throughout the months of August/ September to 18 students. This means that as you work on your head you can reach out twice via e-mail or our FaceBook group with images or questions to receive direct feedback and support through the months of August and September.
The One-On-One Support option will include all of the above plus additional video dialogue and feedback via Skype or Facetime to clarify and reinforce the learning experience. This will be a time to ask questions and show me your progress and will take 45 minutes of scheduled time per day (2 days which we will pick together). Ideally for this option you want to have a computer with a webcam to create a face to face exchange although we can also work over the phone with e-mailed images. This is a great option if you are looking for deeper guidance.
Video modules have accompanying time logs to easily navigate the information. Below is an example for video module #5.
What students are saying!
"I also just wanted to say that your online course on developing the head in clay is AMAZING, thanks so much for making such a comprehensive and thorough course! Thanks for everything!" -Mike Parsley
"Thanks Cristina.The class was amazing and having the video references invaluable.I learned so much about your technical process as well.I will continue to refine my head this week.Thank you again for your generosity."- Judith Levinson
"That instruction was great! This format made me feel as if we were all in a classroom setting-which is pretty incredible. There is so much great information here--things that I have been curious about for SO long, but, I really didn't know who to ask--So, Thank you so much for offering this opportunity. I could watch the teachable a million times--does it have an expiration date? Thank you again."- Jenny Summertime
"The information was clear and well organized. I really appreciate all the reference materials, tool list and of course your demo. It felt like I was in a classroom with you. Your feedback was very helpful and I'll continue working and posting pics for group feedback. Thank you again Cristina, you're an amazing teacher and artist."-Kim Deneris Brown
"Cristina, thanks for a great experience. Yo soy Peruana y algun dia ire a tomar uno de tus workshops. Lindisimo tu trabajo!!!" - Angelita Corvetto
"Well Cristina, I'm calling it a day. I'm tired but extremely happy with the workshop. I placed the lids in the eyes. Tomorrow I'll do reference with the images and tweak and clean... Any way, thanks a million. The instruction was excellent. and it was GREAT sharing with all the group."-Awilda Maldonado
"Thank you, Cristina! You are so very generous with your knowlege and information and so hugely talented! I greatly appreciate your thoroughness and readiness to help us as well as your articulate instructions. You are as great a teacher as you are an artist and I am in seventh heaven that I got the opportunity to do two workshops with you. Big love, Mary" -Mary Kannapell
"Really like the organization of information applicable to all 3 different head sizes. The PDF files are so useful too. So excited about using these techniques! Just finished watching...and was so engrossed my coffee was stone cold and I forgot to have dinner. Wow."-Libby Devine
"I am so excited about this technique! Thank you so much for sharing the templates, and for the excellent step by step instructions. I have not yet watched the full course, but I am just delighted with the workshop so far, and look forward to viewing--and re-viewing the whole set of videos. I have recently been working on a couple of 20" heads, and really struggling with the technique to make them strong but rapidly and easily built. I think I have finally found the answer. Thank you so much!" -Beckie Kravetz
"... Thank you Christina for the very thoughtfully executed class material. There is so much useful information and each time I watch I am hearing something new. I was already working on a piece when I watched the videos so I decided to start with a smaller head and use the reference photos of another female. I learned a lot during the process and found myself reverting back to old habits at times. It is a journey and I look forward to working larger and seeing where this takes me. I am also enjoying the posts and sharing other people's journeys."- Helaine Schneider
MAKE IT YOUR OWN!
Below are the options for the 2017 Sinter Cycle of THE HEAD IN CLAY. Registrations will stay open through August or until enrollment is full. The course will re-open in Winter 2017/2018.
OPTION I - Audit class: $285 (limited to 18) Get video modules and written material and work through the program on your own and for this summer cycle receive two rounds of digital feedback (non-live) throughout the months of August and September!
OPTION II - One-On-One Support: $450 (limited to 2- we will decide on meeting times) In addition to all the Option I offerings you will meet with me privately for 45 min. per day for 2 days (if schedule allows we can split this or have it be continuous) through an online platform that will allow me to see your progress, offer direct feedback and show you additional information. This is a time to clarify techniques and ask any questions related to my studio practice and is suited for anyone looking for additional mentorship.
Cristina Córdova received a Bachelor of Arts from the University of Puerto Rico in Mayagüez and continued to earn a Master of Fine Arts in Ceramics from the New York State College of Ceramics at Alfred University. In 2002 she entered a three year artists residency program at Penland School of Crafts where she later served in the board of trustees from 2006 to 2010.
Some of Cristina's recognitions include a 2015 United States Artist Fellowship, an American Crafts Council Emerging Artist Grant, a North Carolina Arts Council Fellowship, a Virginia Groot Foundation Recognition Grant and several International Association of Art Critics Awards.
Cristina has taught at Penland School of Crafts (NC), Haystack Mountain School (ME), Santa Fe Clay (NM), Mudfire (GA) ,Odyssey Center for Ceramics (NC) and Anderson Ranch (CO) ,among others.
In 2011 she founded TravelArte an ongoing platform that provides educational experiences within the ceramics medium while immersing students in the creative culture of a particular geographical setting.
Her work is part of the permanent collections of the Renwick Gallery of the Smithsonian American Art Museum (Washington , D.C.), the Fuller Craft Museum, (MA), the Mint Museum of Craft and Design (NC), the Museum of Contemporary Art of Puerto Rico ( PR), the Museum of Art of Puerto Rico (PR), and the Joseph-Schein Museum in NY.
She currently lives and works in Penland, NC.